Studio Notes January – February 26

Studio Notes January – February 26

Trying a night and day charcoal drawing on gesso. The skeleton arrives, it is too small, it has more to say. I’ll sleep on it and reassess. A warm oddly coloured diptych arrives. It has something, it is a little tentative, although large. Dot around several works not...
Photos of 2021

Photos of 2021

Continuing to work backwards through my photos of the sea, these are a selection of the 100s from 2021. I was using a dreadful GoPro at the time, which bowed the horizon line, a trope which has entered my work from time to time. I’m drawn to any kind of visual...
View of the Sea

View of the Sea

I take issue with many paintings of the sea. Sickly, twinkly seascapes are the toxic positivity of painting. Where is the truth in them? I’m not closed to the intense beauty of the sea, it is just that the unbridled happiness of such works leave gaping holes in...
Government Art Collection Acquisition

Government Art Collection Acquisition

  I am thrilled to announce the Government Art Collection has acquired my painting Idai, painted in 2019. The painting will join the collection and I am excited to watch its journey. Government Art Collection The painting was the first I made using a particular...
Pursuit of Truth

Pursuit of Truth

In seeking the truth we must embrace both beauty and darkness. Wise words which someone probably said, and which summarise something I seek in my paintings. In colour; obviously the darker I go, the lighter the lights, it’s a simple act of contrast. But what...
Photos of 2022

Photos of 2022

Photos of 2022 Working backwards I am continuing to review and save the very best photos of the sea, many taken with the very worst of cameras. I now have a pile of drowned waterproof cameras, they really hate the salt and sand, and all succumbed to one or the other,...